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Title:The Wasteland, Prufrock and Other Poems
Author:T.S. Eliot
Book Format:paper
Book Edition:Anniversary Edition
Pages:Pages: 88 pages
Published:July 30th 2008 by Waking Lion Press (first published 1922)
Categories:Poetry. Classics. Literature. Fiction
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The Wasteland, Prufrock and Other Poems paper | Pages: 88 pages
Rating: 4.18 | 10069 Users | 303 Reviews

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If you're into stuff like this, you can read the full review. Kublai Khan: "The Wasteland, Prufrock and Other Poems" by T. S. Eliot (Original review, 1981-05-10) It seems to me that the author of 'Prufrock' and that of the Wasteland are so different as to be un-recognisable. A look at the Wasteland reveals a lot of, to me, gratuitous classical referencing for which we might like to blame Pound and while I value its novelty (whereas Prufrock reads like Kublai Khan) the Wasteland reads like deliberate pastiche.

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ISBN: 143410169X (ISBN13: 9781434101693)
Edition Language: English


Rating Out Of Books The Wasteland, Prufrock and Other Poems
Ratings: 4.18 From 10069 Users | 303 Reviews

Criticism Out Of Books The Wasteland, Prufrock and Other Poems
T.S. Eliot takes a lot of work. I wouldn't recommend just plowing through The Wasteland on your own. It's the type of poem you only really understand when you discuss it in a group. If I hadn't studied it in a class in college, I'm sure I never would've understood it.I would give 5 stars to Prufrock alone, and probably 3 or 4 to the rest. I especially loved Prufrock when I was single, b/c I think it captures the essence of male timidity. The language is oblique, but has some powerful contrasting

I read this for a challenge (shortest book on my shelf) and I'm not rating this because I'm not smart enough to read poetry, clearly. (To be clear, I didn't enjoy it, but I doubt it was the fault of the collection.)

there is a very small quantity of poetry volumes, and books in general that could compare to the quality of this book.it has achieved such a collection of achievements that are so very difficult, and as a collaboration has never been seen.first: any holder of a respectable degree in English literature, or student, or even your average avid reader would tell you; the waste land is mother of all avant gard.and that alone is a tremendous achievement, but to achieve it while still holding the love

If you're into stuff like this, you can read the full review.Kublai Khan: "The Wasteland, Prufrock and Other Poems" by T. S. Eliot(Original review, 1981-05-10)It seems to me that the author of 'Prufrock' and that of the Wasteland are so different as to be un-recognisable. A look at the Wasteland reveals a lot of, to me, gratuitous classical referencing for which we might like to blame Pound and while I value its novelty (whereas Prufrock reads like Kublai Khan) the Wasteland reads like

Right - like I'm really going to critique the works of T.S. Eliot. However, I will say this: because some of his poetry contains bits and pieces from other works of literature that span Western and Eastern poetry, fiction, philosophy and theology, it's great fun to deconstruct those poems to see how they were "put together." (For example, see http://eliotswasteland.tripod.com/) However, to really appreciate what Elliot was getting at, you need to reassemble these fragments. That's because the

Uncle! I measured out my life with coffee spoons in the hours, weeks, indeed months between when I first picked this up and when I subsequently set it down unfinished. It gets two stars in deference to the world of literary critics and english PhD's who call Eliot a master. I want to believe that good poetry has something to share with us. I even keep a copy of Garrison Keillor's anthology "Good Poem's For Hard Times" on my night stand, for Pete's sakes! It's there right now, see? (Ok maybe

"Let us go then, you and I, when the evening is spread out against the sky like a patient etherized upon a table..."This collection contains two of Eliot's most famous works, The Love Song of J. Alfred Prufrock and The Waste Land, but it also includes all the other poems he published betwen 1917 and 1922. I love Eliot and his use of allusion and symbolism in poetry. Because this volume is annotated there was a constant string of footnotes translating text and explaining references in the poems,

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