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The Vicar of Wakefield

Oliver Goldsmith

Paperback | Pages: 197 pages

Rating: 3.48 | 8909 Users | 487 Reviews

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Original Title:	The Vicar of Wakefield
ISBN:	0192805126 (ISBN13: 9780192805126)
Edition Language:	English
Characters:	Revd. Dr. Charles and Deborah Primrose, Olivia and Sophia (daughters)

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Oliver Goldsmith's hugely successful novel of 1766 remained for generations one of the most highly regarded and beloved works of eighteenth-century fiction. It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable depiction of domestic life and loving family relationships.

New to this edition is an introduction by Robert L. Mack that examines the reasons for the novels enduring popularity, as well as the critical debates over whether it is a straightforward novel of sentiment or a satire on the social and economic inequalities of the period and the very literary conventions and morality it seems to embody. This edition also includes a new, up-to-date bibliography and expanded notes, and contains reprints of Arthur Friedman's authoritative Oxford English Novels text of the corrected first edition of 1766.

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Title	:	The Vicar of Wakefield
Author	:	Oliver Goldsmith
Book Format	:	Paperback
Book Edition	:	Oxford World's Classics
Pages	:	Pages: 197 pages
Published	:	June 15th 2006 by Oxford University Press (first published 1766)
Categories	:	Classics. Fiction. Literature. 18th Century

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Ratings: 3.48 From 8909 Users | 487 Reviews

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Free download available at Project Gutenberg.ADVERTISEMENTThere are an hundred faults in this Thing, and an hundred things might be said to prove them beauties. But it is needless. A book may be amusing with numerous errors, or it may be very dull without a single absurdity. The hero of this piece unites in himself the three greatest characters upon earth; he is a priest, an husbandman, and the father of a family. He is drawn as ready to teach, and ready to obey, as simple in affluence, and



I found this delightful. Funny, sappy, thrilling, and sweet. Filled with beautiful innocent young women, separated lovers, a despicable villain, a kindly long suffering vicar father, goodness rewarded, evil punished, secret identities, and an overall appreciation for the charms of a simple life. This created the perfect balance to some of the heavier reading I've been doing lately. I definitely recommended Librivox Version 2 for audiobook. The reader (Tadhg) has a lovely Irish accent and a

I read The Vicar of Wakefield in connection with a group read of The Novel: A Biography. I read the section in Schmidt first, followed by the novel, and then re-read the section in Schmidt. I also read the notes and analysis on www.gradesaver.com after finishing the novel.The book was first published in 1766, so as I read it I was trying to consider it from the point of view of its readers on first publication, as well as how I found it now.I can see why it was a very popular novel. It's an easy

Time to retreat into the eighteenth century...a while back I read Antonomasia's review of The History of Tom Jones, a Foundling and I thought to myself 'ah, what about the Vicar of Wakefield was that not meant to be another famous comedy of that era' the proof of the pudding being in the eating I resolved to acquaint myself further with the good Vicar, but alas while it is a gentle and charming book , there is no need to hang on to your wig, or to loosen your corset in anticipation, this is not

The nice thing about novels written mid-eighteenth century is that they are so different, to each other as well as to what we have come to expect from the realistic novels of the nineteenth. The sentimental story requires virtue assailed by calamity, but Goldsmith avoids the lachrymose by the sustained cheerful resilience of the Vicar, without him ever becoming annoying. Calamity succeeds disaster, and towards the end there's little left that hasn't yet occurred, but the calm light tone prevents

All's well that ends well - so the saying goes. It appears that, after all the calamities and shenanigans, all is well with the Primrose family. Such an exciting life they led - abductions, a house-fire, the homecoming of the prodigal son (twice), secrets, lies, and deception - mixed in with a healthy dose of humour, humility, and forgiveness - and (of course) some "preachy" passages. With the exception of a few chapters which dragged a bit, the Librivox recording by Martin Clifton provided